The September Issue, the documentary about Vogue, Anna Wintour (seen above in a scene with photographer Mario Testino) and the making of the magazine’s largest-ever September 2007 issue, brought with it a ton of publicity, culminating in her appearance on David Letterman’s show just before Fashion Week. Finally the film has opened in LA (and it expands across the country this coming weekend) and, for all you Anna-philes out there, the movie reveals some amusing and arcane remnants to ponder about the legendary editor.
1. Anna doesn’t like black! I had never realized this before but think, quick, have you ever seen her photographed in a little black dress? And she isn’t very partial to it in the pages of her magazine either. In one segment, Anna’s palpable gloom is hilarious as YSL’s designer Stephano Pilati determinedly tries to assure her that the muted morass of his new collection includes some murky green and red. She doesn’t see it (and, really, neither do we).
2. Anna lives in a cottage! Or rather, a ersatz cottage inside a Village townhouse with goldenrod decorator-sponged walls (so ’90s!), pretty painted pottery and a jumble of coats hanging in the entryway. I don’t know why I was so surprised – her ex-husband was an academic, not the corporate type like Miranda Priestly’s withering spouse in The Devil Wears Prada. But in contrast with her chilly, walk-the-plank office….
3. Anna loves prints! You can take the girl out of England but you can’t take England out of the girl, apparently. Her uniform is unvarying – a print dress (often Prada) worn with or without a cardigan. Add fur at the slightest hint of a breeze. Delicate Manolos in summer (no lumbering Louboutin platforms for her!) and sleek boots in winter. More often than not, she accessorizes only with what appears to be a very fine vintage citrine necklace. Customarily a floral print gives your run-of-the-mill fashionista the worst kind of the heebie-jeebies so it’s kind of perversely wonderful that they’re the unvarying uniforn of the queen.